Choral - SATB - Solo a cappella - Yesterday Service Sheet Music

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Come, Heavy Sleep (No. 3 from Three Madrigals after Dowland) Yale Glee Club New Classic Choral Series Format: SATB/Solo a cappella

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Burst Forth, My Tears (No. 2 from Three Madrigals after Dowland) Yale Glee Club New Classic Choral Series Format: SATB/Solo a cappella

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Ave Maria CME Conductor's Choice Format: SATB divisi, Mezzo Sop. Solo, a cappella

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Quem Vidistis Format: SATB a cappella

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Do Wah Diddy Diddy Format: SATB/Solo a cappella

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Good News! Format: SATB/Solo a cappella

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Mayberry Format: SATB a cappella

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Ain't Too Proud to Beg Format: SATB a cappella

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Under Pressure (from NBC's The Sing-Off) Format: SATB divisi a cappella

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Getting There from In Transit Format: SATB/Solo a cappella

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Come, Heavy Sleep (No. 3 from Three Madrigals after Dowland) Yale Glee Club New Classic Choral Series Format: SATB/Solo a cappella

Written as a dear friend lay dying at a young age, this movement, along with the other two from the set (Weep You No More and Burst Forth, My Tears) call on the singers to represent their deepest feelings of grief, anger, love and finally, rest. Using...

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Burst Forth, My Tears (No. 2 from Three Madrigals after Dowland) Yale Glee Club New Classic Choral Series Format: SATB/Solo a cappella

This middle movement is rhythmic, dissonant and angry, expressing a release from the pain of death. When paired with the other two Weep You No More and Come, Heavy Sleep, this wonderful piece of programmatic writing is a lesson in musical emotion...

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Ave Maria CME Conductor's Choice Format: SATB divisi, Mezzo Sop. Solo, a cappella

A beautiful rendition of the sacred text from the Gospel of Luke set for SATB divisi chorus and mezzo soprano soloist. This work has been recorded by the Vancouver Chamber Choir, Jon Washburn conducting. Duration: 4:45. Conductor's Choice Imant...

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Quem Vidistis Format: SATB a cappella

Uses: Christmas, Concert This movement from the composer's larger work, Alleluia! Puer natus est nobis is a sensitive, almost haunting setting of the traditional Latin text. A repeated chaconne-like progression forms the foundation of the work while a...

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Do Wah Diddy Diddy Format: SATB/Solo a cappella

Feature a special soloist with this tour de force a cappella setting of the 1963 #1 hit by Manfred Mann and bring down the house! An awesome closer or encore! Henry Leck Creating Artistry arr. Ken Berg Minimum Order: 5

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Good News! Format: SATB/Solo a cappella

A soloist with choral backup, bright percussive rhythms, a bluesy vocal bass line and the visual appeal of body percussion make this energetic spiritual setting a first-rate showcase for mixed or treble choirs! Available separately: SATB, SSAA. Duration:...

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Mayberry Format: SATB a cappella

Few country tunes in the past decade have had a bigger impact than this future classic by Rascal Flatts, which reminds us how good the good old days were. The fast-moving harmonies and sixteenth note background textures supporting the tenor solo sound...

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Ain't Too Proud to Beg Format: SATB a cappella

This #1 Temptations classic makes for a great closer or encore, and will have your audience clapping along. The melody sits in a perfect range to be sung by any voice part (bass can be sung an octave lower), and with 4 verses it's a great opportunity for...

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Under Pressure (from NBC's The Sing-Off) Format: SATB divisi a cappella

The opening number from Episode 1 in NBC's The Sing-Off, each group presented their best soloist with David Bowie's Under Pressure. Singing totally a cappella, this selection gives you the opportunity to showcase an amazing spectrum of vocal talent!...

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Getting There from In Transit Format: SATB/Solo a cappella

A completely a cappella musical. No band in the pit. No band hanging on the back wall. No band at all. Every sound comes from the cast. Here is one of the great, up beat, positive songs from the show about living in the moment and loving your experiences...

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